Connections between "Falcon Crest" and Other Productions
 
(revised 02/13/2023)
 
 
 
 
Many props from "Falcon Crest" were reused in other productions, which is a usual process in the entertainment industry because not everything is bought specifically for a production. Below are a few striking examples of pieces of furniture and other items for set dressing that were prominently reused in other shows or came from other shows and were reused on "Falcon Crest".
 
 
 
 
Armchair
(Falcon Crest Victorian Mansion;
seasons 6 through 9):
 
 
After the earthquake, the Falcon Crest Victorian Mansion was partly refurnished. In seasons 6 and 7, there were two elegant wooden Empire style armchairs in brown lacquer and — at the partly ebonized armrests — with decorative brass elements in the living room; the backrest and seat cushion were upholstered in a fabric with broad stripes in slightly different bright cream tones. Screen grab 1 from # 129 shows one of these chairs.
When the Victorian Mansion was rebuilt after the fire in season 8, these two armchairs became the new guest chairs in Angela's study (as depicted on screen capture 2 from # 205), replacing the previous two Louis XVI style armchairs. For that purpose, the Empire style armchairs were re-upholstered in a more elaborate cream colored fabric with gold and blue stripes as well as yellow, pink and red ornaments to match Angela's re-upholstered office chair (one of the former guest chairs in the study).
These armchairs are approximately 36" high.
 

One of these Empire armchairs made its way to season 12 of LORIMAR's "Knots Landing" where it was used to furnish Marco Conti's office in Rome / Italy in the episode "What if?" (# 281 <12.05>; original U.S. airdate: 10/25/1990, CBS).

Shortly after, both of these chairs were used in seasons 12 through 14 of the same show in the entryway of Claudia Whittaker's house in the cul-de-sac; the second screen grab from "Knots Landing" is from "In the Dog House" (# 293 <12.17>; original U.S. airdate: 02/14/1991, CBS).
These props became assets of WARNER BROS. after buying out LORIMAR in 1989. However, their fate remains a mystery since they are no longer in the possession of their prop department.
 
 
 
 
Armchair
(Falcon Crest Victorian Mansion Foyer;
# 130 through 133):
 
 
After the earthquake, the foyer of the Falcon Crest Victorian Mansion (here a screen grab from # 132) was temporarily furnished with an elegant wooden Empire style armchair in black lacquer and — at the armrests — with decorative silver lacquered dolphin details; the backrest and seat cushion are upholstered in gray fabric with narrow white stripes. The armchair is approximately 36" high.
 
LORIMAR later dressed the bedroom in Paige Matheson's condo in seasons 11 through 14 of "Knots Landing" with this chair; the screen capture is an example from "My Love Always" (# 273 <11.26>; original U.S. airdate: 04/26/1990, CBS).
This prop became owned by WARNER BROS. after buying out LORIMAR in 1989. The armchair is still available from their prop department.
 
 
 
 
Armchairs
(Del Oro Spa & Country Club – Historic Club House – Lobby;
seasons 6 and 7):
 
 
The main lobby in the historic club house at the Del Oro was furnished with narrow pastel lilac armchairs with straight armrests in season 6 and early season 7. When the dimensions of the Del Oro lobby set were changed in # 158 for the remainder of season 7 (compare our Behind the Scenes section for more details), there was no longer enough room for these armchairs, and LORIMAR used them elsewhere.
 

• "Dallas":
   
  The production company brought one of them over to the set of "Dallas" to furnish J.R. Ewing's condo at the end of season 10 (original count) / 11 (DVD count). The screen capture is a comparison shot from "Last of the Good Guys" (# 277 <10.26 – original count> / <11.26 – DVD count>; original U.S. airdate: 04/08/1988, CBS).
   
   
  
• "Knots Landing":
   
  

  Almost at the same time, they used most of these armchairs on "Knots Landing" to dress the newly remodeled main lobby of Lotus Point in season 9 with them; the screen grab is an example from the episode "Just Desserts" (# 216 <9.26>; original U.S. airdate: 04/14/1988, CBS).

• "Flamingo Road":
   
  Prior to "Falcon Crest", LORIMAR used this set of armchairs in season 2 of "Flamingo Road" on Michael Tyrone's (DAVID SELBY) terrace — the filming location was Arden Villa in Pasadena, CA, which was used on "Falcon Crest" as Riebmann's house in Buenos Aires / Argentina, Norton Crane's New York home and Michael and Savanna Sharpe's mansion. The screen grab from "Flamingo Road" is from "The Stranger" (# 20 <2.05>; original U.S. airdate: 12/08/1981, NBC).
   
   
  
• "Knots Landing":
   
  

  In season 4 of LORIMAR's "Knots Landing", one of the armchairs was used to dress Ciji Dunne's apartment; the screen capture is from "Abby's Choice" (# 064 <4.11>; original U.S. airdate: 12/16/1982, CBS).

The bed in Angela's bedroom in the Falcon Crest Victorian Mansion in season 1 was not a LORIMAR owned prop, but rented from THE BURBANK STUDIOS (nowadays WARNER BROS. STUDIOS).

After "Falcon Crest", LORIMAR used this bed in "Knots Landing" in the guest bedroom of the MacKenzies' home in the final episode "Just Like Old Times — Part II" (# 344 <14.19>; original U.S. airdate: 05/13/1993, CBS).

The bed in Emma's rooftop studio in the Falcon Crest Victorian Mansion from seasons 1 and 2 was not a LORIMAR owned prop, but rented from THE BURBANK STUDIOS (nowadays WARNER BROS. STUDIOS).

This bed was previously used on other shows filmed at THE BURBANK STUDIOS, in particular two episodes of "Police Woman": "Once a Snitch" (# 57 <3.12>; original U.S. airdate: 01/04/1977, NBC);

and "Silky Chamberlain" (# 66 <3.21>; original U.S. airdate: 03/08/1977, NBC; screen capture 2). That series was produced by COLUMBIA PICTURES TELEVISION. At the time, COLUMBIA PICTURES shared an interest in THE BURBANK STUDIOS.

• "Flamingo Road":
   
  

  It was previously featured on LORIMAR's "Flamingo Road" in Sandy Swanson's apartment. The screen grab is an example from "Double Exposure" (# 29 <2.14>; original U.S. airdate: 02/23/1982, NBC).

   
   
  
• "Hart to Hart":
   
  It was also previously featured on COLUMBIA's "Hart to Hart" in the guest bedroom at a wildlife ranch. This show filmed at THE BURBANK STUDIOS at the time and rented it from LORIMAR.
  The screen grab is from "Hunted Harts" (# 078 <4.11>; original U.S. airdate: 01/04/1983, ABC).
   
   
  
• "Dallas":
   
  

  It was later used multiple times in LORIMAR's "Dallas": This first screen capture is an example from "Last of the Good Guys" (# 277 <10.26 – original count> / <11.26 – DVD count>; original U.S. airdate: 04/08/1988, CBS) where it resurfaced as Connie Hall's bed.

  The second screen grab is from a particularly funny use of this bed as a prop in "The Phantom of the Oil Rig" (# 308 <12.01 – original count> / <13.01 – DVD count>; original U.S. airdate: 09/22/1989, CBS). That episode resumed the storyline about Sue Ellen Ewing's autobiographical movie, and the filming location of the studio where that movie was shot was the actual studio where "Dallas" was filmed — LORIMAR STUDIOS (previously MGM STUDIOS, nowadays SONY PICTURES STUDIOS) in Culver City, CA. The bed's headboard was carried between the sound stages on 5th Avenue on the studio lot.
 
 

• "Knots Landing":
   
  

  In LORIMAR's "Knots Landing", it was first used in Paige Matheson and Johnny Rourke's hotel room in Santa Tecla; the screen grab is from "Mother Knows Best" (# 214 <9.24>; original U.S. airdate: 03/31/1988, CBS).

  It was later reused as Michael and Linda Fairgate's bed; the screen grab is an example taken from "Bad Dog" (# 295 <12.19>; original U.S. airdate: 02/28/1991, CBS).

The bed in the Falcon Crest Victorian Mansion guest bedroom in which Chase and Maggie slept in # 001 and the bed in the Gioberti House guest bedroom in which Jacqueline slept is the same prop; compare # 012 in our Behind the Scenes section.

After the earthquake, Melissa's bedroom was refurnished with a set of bright contemporary oak wood pieces, including a bed, two nightstands, an armoire and a sideboard.

In season 13, the bed and one of the nightstands resurfaced in Professor Truwald's bedroom in "And the Walls Come Tumbling Down" (# 315 <13.12>; original U.S. airdate: 01/02/1992, CBS).

Later, the bed and the nightstands were used to refurnish the guest bedroom in the MacKenzies' home. The screen grab is from "Do You Love Me?" (# 324 <13.21>; original U.S. airdate: 04/02/1992, CBS).

In season 7, silver / burgundy satin bedding was sometimes used in the master bedroom of Richard's third house in the Tuscany Valley. The duvet was reversible with one side in the identical color scheme of the pillowcase and the other side in full silver color.

This LORIMAR owned bedding was previously used in Abby and Gary Ewing's hotel suite at the Hotel del Coronado in San Diego, CA in "Until Parted by Death" (# 139 <7.09>; original U.S. airdate: 11/21/1985, CBS) of "Knots Landing".

• "Police Woman":
   
  

  The chandeliers were previously used in two episodes of this crime drama: In "Tennis Bum" (# 53 <3.08>; original U.S. airdate: 11/30/1976, NBC);

  and "Blind Terror" (# 77 <4.10>; original U.S. airdate: 01/04/1978, NBC).

 
 

• "Hotel":
   
  After "Falcon Crest", the chandeliers were used for "Hotel", AARON SPELLING's new series premièring in the 1983-84 season, which — after filming the pilot at WARNER HOLLYWOOD STUDIOS (nowadays THE LOT) and on location in San Francisco — resumed regular production at THE BURBANK STUDIOS (now WARNER BROS. STUDIOS). On "Hotel", they were first utilized in the ballroom of the St. Gregory Hotel, but with the lowest crystal glass elements removed; the screen capture is from "Tomorrows" ("# 014 <1.14>; original U.S. airdate: 01/11/1984, ABC). Depending on the need for each scene in season 2 of "Hotel", the chandeliers were used both in The Carlyle Room Restaurant (in the same way) and in the redressed ballroom set (the lowest crystal glass elements now back in place).
  

The coat of arms hanging on the wall in the den in Peter Stavros' villa on Kallos / Greece in # 143 was a LORIMAR owned prop.

It was used later in the TV lounge at Greg Sumner's ranch during the video presentation of Laura's farewell messages in "Noises Everywhere — Part II" (# 201 <9.11>; original U.S. airdate: 12/10/1987, CBS) of "Knots Landing".

In the sitting room of Richard's bedroom suite in his third house in the Tuscany Valley where he lived from seasons 5 through 7, there was a low round coffee table made of Carrara marble near the couch. After he and Maggie moved to their ranch, the table disappeared from "Falcon Crest".

After the Falcon Crest Victorian Mansion was rebuilt in season 8, the living room was refurnished with two matching light colored curio cabinets, which were placed on either side of the double doors. Screen grab 1 from # 205 shows one of these wood / glass cabinets. They disappeared after season 8.

One of these cabinets made its way to season 12 of LORIMAR's "Knots Landing" where it was used in Nick Schillace (a.k.a. Dimitri Pappas) and Anne Matheson's hotel suite in "Call Me Dimitri" (# 294 <12.18>; original U.S. airdate: 02/21/1991, CBS).

• "Police Woman":
   
  

  This desk was previously used in the episode "Father to the Man" (# 56 <3.11>; original U.S. airdate: 12/21/1976, NBC), which was filmed at THE BURBANK STUDIOS, too.

 
 

• "Hart to Hart":
   
  

  After "Falcon Crest", the desk resurfaced in "Too Close to Hart" (# 088 <4.21>; original U.S. airdate: 05/03/1983, ABC). That series also filmed at THE BURBANK STUDIOS at the time.

• "Knots Landing":
   
  

  After "Falcon Crest", LORIMAR furnished Marco Conti's office in Rome / Italy in season 12 of this drama series with the same desk; the episode was entitled "What if?" (# 281 <12.05>; original U.S. airdate: 10/25/1990, CBS).

 
 

• "Dallas":
   
  

  Also after "Falcon Crest", LORIMAR used the exact same desk in Carter McKay's Las Vegas office in one of J.R.'s dream scenes in the "Dallas" series finale entitled "Conundrum" (# 356 <13.22 – original count> / <14.22 – DVD count>; original U.S. airdate: 05/03/1991, CBS).

 
 

• "ER":
   
  In "Ground Zero" of "ER" (# 075 <4.06>; original U.S. airdate: 11/06/1997, NBC), the desk was used in the study of Millicent Carter's mansion.
  Note that the same episode of the medical drama also used the cabinets from the Victorian Mansion foyer (see below).
  
 
 

• UNIVERSAL Productions (same model):
   
  The same desk model (but not the very same desk from LORIMAR's prop warehouse) had appeared on TV in a number of UNIVERSAL productions before, including the following shows:
  The three screen captures are just examples of scenes from UNIVERSAL productions that made use of this type of desk.
  Among other shows, the UNIVERSAL owned desk was featured in:
   
  
  • "Columbo": three episodes — screen capture 1, for instance
  
  
  • "Kojak": one episode
  
  
  • "The Bionic Woman": three episodes — screen capture 2, for instance
  
  
  • "The Incredible Hulk": two episodes
  
  
  • "Knight Rider" (classic series): one episode
  
  
  • "Chicago Justice": one episode — screen capture 3, for instance
  
  

The secretary's desk in the anteroom to Sharpe's office at Sharpe Capital Ventures is a LORIMAR owned prop. Before "Falcon Crest", it was used in various other productions; the following list is in chronological order:

• "Dallas":
  

  The desk was previously seen in "Taste of Success" (# 059 <3.05 – original count> / <4.05 – DVD count>; original U.S. airdate: 11/28/1980, CBS). "Dallas" was produced by LORIMAR, too.

 
 

• "Knots Landing":
   
  

  Also prior to "Falcon Crest", the desk was utilized in season 3 of this LORIMAR production in the office of Richard Avery's boss, Andrew Parkhurst; the screen grab is from "Exposé" (# 049 <3.18>; original U.S. airdate: 04/08/1982, CBS).

  This show also used the desk in the office of The Bess Ryker Agency; the screen capture is from "Svengali" (# 057 <4.04>; original U.S. airdate: 10/21/1982, CBS).

  Yet again it was featured in this series in "A New Family" (# 069 <4.16>; original U.S. airdate: 02/03/1983, CBS) as the desk of Abby Cunningham's lawyer, Jim Westmont.

 
 

• "Paper Dolls":
   
  Also prior to "Falcon Crest", the desk was utilized in Wesley Harper's office at Harper WorldWide. The screen grab is from # 03 (original U.S. airdate: 10/09/1984, ABC).
  The short-lived "Paper Dolls" series, which only ran for one season, was produced by MGM TELEVISION and filmed at what was then MGM STUDIOS (nowadays SONY PICTURES STUDIOS) in Culver City, CA where LORIMAR, at the same time, filmed "Dallas" and "Knots Landing" among other shows. Besides the fact that MGM borrowed "Knots Landing's" Fairgate / MacKenzie home set from LORIMAR for a few scenes in "Paper Dolls", MGM also rented this desk from LORIMAR's prop department, which was stationed on the MGM lot at that time.
  

It was also used by LORIMAR in "Knots Landing" in season 5 in Mack MacKenzie's office; the screen capture is from "Witness" (# 088 <5.13>; original U.S. airdate: 12/22/1983, CBS).

• "Police Woman":
   
  

  These chairs were previously used in the episode "Requiem for a Bored Wife" (# 10 <1.10>; original U.S. airdate: 11/29/1974, NBC) produced by COLUMBIA PICTURES TELEVISION.

 
 

• "Hart to Hart":
   
  

  After "Falcon Crest", the chairs resurfaced in the episode "Harts on the Run" (# 101 <5.12>; original U.S. airdate: 01/03/1984, ABC). That series also filmed at THE BURBANK STUDIOS at the time.

 
 

• "North and South":
   
  

  Also after "Falcon Crest", the chairs were used to dress the Main family's mansion at the Mont Royal plantation in "North and South". The screen capture is from Book I – part 1 (original U.S. airdate: 11/03/1985, ABC). That mini-series was produced by WARNER BROS. and filmed at THE BURBANK STUDIOS.

 
 

• "Elvira: Mistress of the Dark":
   
  Also after "Falcon Crest", the chairs were used in "Elvira: Mistress of the Dark" — theatrical release date: 09/30/1988 (USA). This comedy horror movie was filmed partly at THE BURBANK STUDIOS with props rented from their prop house. By the way, DANIEL GREENE (Dwayne Cooley from "Falcon Crest") is the male lead in this movie.
  

LORIMAR later used both of these chairs in season 12 of "Knots Landing" in Anne Matheson and Nick Schillace's apartment; the screen grab is an example from "An American Hero" (# 298 <12.22>; original U.S. airdate: 04/04/1991, CBS).

It was previously used by LORIMAR as a prop in Richard Avery's restaurant Daniel on "Knots Landing" in the episode "Man in the Middle" (# 061 <4.08>; original U.S. airdate: 11/18/1982, CBS).

In season 13, the second chair was visible also while Claudia Whittaker stayed in that guest bedroom; the screen grab is from "Home Again, Home Again" (# 308 <13.05>; original U.S. airdate: 10/31/1991, CBS).

• "Dallas":
   
  

  Before "Falcon Crest", LORIMAR used this highboy in Marilee Stone's bedroom in "The Phoenix" (# 093 <4.16 – original count> / <5.16 – DVD count>; original U.S. airdate: 01/29/1982, CBS).

 
 

• "Hart to Hart":
   
  Also before "Falcon Crest", that piece of furniture appeared in "Harts on Campus" (# 071 <4.04>; original U.S. airdate: 10/26/1982, ABC). This series was filmed at THE BURBANK STUDIOS (now WARNER BROS. STUDIOS) where LORIMAR had many offices and filmed "Falcon Crest" at the time. COLUMBIA PICTURES TELEVISION rented this prop from LORIMAR.
  

For details about Angela's iconic French Louis XVI style office chair in the study of the Falcon Crest Victorian Mansion between seasons 2 through 7, check the entry in # 019 <2.01> in our Behind the Scenes section.

• "Police Woman":
   
  

  Prior to "Falcon Crest", the armchair was used in the "Police Woman" crime drama in the episodes "The Purge" (# 33 <2.11>; original U.S. airdate: 11/25/1975, NBC);

  and "Generation of Evil" (# 42 <2.20>; original U.S. airdate: 02/10/1976, NBC). "Police Woman" was a COLUMBIA PICTURES TELEVISION production.

   
   
  
• "Police Story":
   
  

  The armchair was also used prior to "Falcon Crest" in "Eamon Kinsella Royce", an episode of "Police Story" (# 64 <3.20>; original U.S. airdate: 02/20/1976, NBC). "Police Story" was a COLUMBIA PICTURES TELEVISION production.

   
   
  
• "The Waltons":
   
  

  Also, the armchair was previously used in EARL HAMNER's earlier series, "The Waltons", in "The Cloudburst" (# 109 <5.09>; original U.S. airdate: 11/11/1976, CBS). This LORIMAR production had rented the prop from THE BURBANK STUDIOS.

   
   
  
• "High Anxiety":
   
  

  Prior to "Falcon Crest", the armchair was also utilized in the movie "High Anxiety" — theatrical release date: 12/25/1977 (USA). This 20th CENTURY FOX production had rented the prop from THE BURBANK STUDIOS.

   
   
  
• "Hart to Hart":
   
  

  The armchair was also previously featured in "Million Dollar Harts" (# 070 <4.03>; original U.S. airdate: 10/19/1982, ABC);

  in the study of King Rashid's mansion in "In the Hart of the Night" (# 075 <4.08>; original U.S. airdate: 11/30/1982, ABC);

  in "Hunted Harts" (# 078 <4.11>; original U.S. airdate: 01/04/1983, ABC);

  and in "Too Close to Hart" (# 088 <4.21>; original U.S. airdate: 05/03/1983, ABC). "Hart to Hart" was a COLUMBIA PICTURES TELEVISION production.

   
   
  
• "Mike Hammer":
   
  

  The armchair was later reused on "Mike Hammer" where it was featured in "Torch Song" (# 011 <2.01>; original U.S. airdate: 11/29/1984, CBS). "Mike Hammer" was also a COLUMBIA PICTURES TELEVISION production.

   
   
  
• "T.J. Hooker":
   
  

  The armchair was also reused on "T.J. Hooker", which was also a COLUMBIA PICTURES TELEVISION production: First, it was featured in a priest's office in "The Confession" (# 058 <4.09>; original U.S. airdate: 12/15/1984, ABC).

  Later, it was used in another office in "The Night Ripper" (# 080 <5.08>; original U.S. airdate: 01/29/1986, CBS).

   
   
  
• "Crazy Like a Fox":
   
  

  The armchair was also used in an office in "Suitable for Framing" (# 12 <1.12>; original U.S. airdate: 03/31/1985, CBS). "Crazy Like a Fox" was another COLUMBIA PICTURES TELEVISION production.

 
 

• "Scarecrow and Mrs. King":
   
  

  This series featured the armchair in "Billy's Lost Weekend" (# 73 <4.07>; original U.S. airdate: 11/07/1986, CBS). "Scarecrow and Mrs. King" was a WARNER BROS. TELEVISION production.

 
 

• "Beauty and the Beast":
   
  This series (the original 1987 – 1990 show) featured the armchair in the "world below" as the chair at Jacob "Father" Wells' desk throughout its run. The screen capture is an example from "China Moon" (# 13 <1.13>; original U.S. airdate: 01/15/1988, CBS).
  "Beauty and the Beast" was a REPUBLIC PICTURES production filmed at various studios; the producing staff rented this prop from THE BURBANK STUDIOS (WARNER BROS. STUDIOS).
  

• Abstract with Antelopes
  (Wilder Advertising – Cassandra Wilder's Office; seasons 4 and 5 /
  Del Oro Spa & Country Club – Hallway to Suite 333; season 6 /
  Del Oro Spa & Country Club – Frank Agretti's Suite; # 174 /
  Kathryn Anderson's apartment; # 176 /
  Del Oro Spa & Country Club – FBI Suite; # 180):
   
  A colorful abstract with antelopes was used for different purposes: it was hanging in Cassandra Wilder's office at Wilder Advertising in seasons 4 and 5; as visible in # 133, it was later hanging across from the door to Kit's suite (number 333) in the hallway of the Del Oro Spa & Country Club; it was also in Frank Agretti's Del Oro suite in # 174; it also resurfaced in Kathryn Anderson's apartment in the Golden Park West building in San Francisco, as visible in # 176; finally, it was also used in the suite the FBI rented at the Del Oro in # 180.
   
  

  The very same picture, still brass-framed, was later reused on "Knots Landing" in the hallway outside Jeff Cameron's apartment. The screen grab is from "The One to Blame" (# 272 <11.25>; original U.S. airdate: 04/05/1990, CBS).

 
 

• Abstract with Horses
  (KRDC – Richard Channing's Office; seasons 4 and 5 /
  Gioberti Enterprises – Chase Goberti's Office; season 6):
   
  One of the pictures on the wall in Richard's KRDC office (the center picture in screen grab 1) in seasons 4 and 5 and later in Chase's office at Gioberti Enterprises in San Francisco in season 6 — here screen captures from "The Decline..." (# 094 <4.26>; original U.S. airdate: 03/06/1985, CBS) and "Hot Spots" (# 138 <6.11>; original U.S. airdate: 12/12/1986, CBS) as examples — was an abstract with horses.
   
  

  This picture was reused on "Knots Landing" in Dianne Kirkwood's KBLA TV station office. The screen grab is an example from "Let's Get Married" (# 276 <11.29>; original U.S. airdate: 05/17/1990, CBS).

 
 

• Cloud Dancer
  (Queen of the Valley Hospital; # 111):
   
  

  In season 5, a poster with the artwork "Cloud Dancer" by American artist LAMAR BRIGGS (1935 – 2015) was hanging in a QVH corridor. The poster promotes the Art Expo at the New York Coliseum in New York, which took place between March 8 and 12, 1979.

   
  

  LORIMAR had previously used the same poster on "Knots Landing" in the living room of Kenny and Ginger Ward's home at 16961 Seaview Circle. The screen capture is from "To Have and to Hold" (# 068 <4.15>; original U.S. airdate: 01/21/1983, CBS; screen capture 2).

 
 

• Landscape Abstracts / Collages
  (Tuscany Valley (Memorial) Hospital; seasons 2 and 3 /
  other sets; seasons 3 and 4):
   
  During season 3, two pictures appeared on different walls in the Tuscany Valley Hospital in # 041 <3.01>, 059 <3.19> and 063 <3.23>. One of them (marked red) was previously used at the Tuscany Valley Memorial Hospital in season 2 (# 033 <2.15>) and resurfaced later at the Farrell County Adoption Agency in # 074 <4.06>. The other picture (marked yellow) was later used in the accounting office in # 053 <3.13>. Details are listed in the respective episodes in our Behind the Scenes section.
   
  LORIMAR had previously used the same pictures to dress Cliff Barnes' office at Wentworth Tool and Die in season 4 (original count) / 5 (DVD count) of "Dallas". The first screen capture from "Dallas" is a comparison shot of the picture marked red in Chase's room from a "Dallas" scene in "Acceptance" (# 102 <4.25 – original count> / <5.25 – DVD count>; original U.S. airdate: 04/02/1982, CBS).
  

  The second screen grab from "Dallas" is a comparison shot of the picture marked yellow in Chase's room from a "Dallas" scene in "The Prodigal" (# 098 <4.21 – original count> / <5.21 – DVD count>; original U.S. airdate: 03/05/1982, CBS).

   
   
  
• Still Life
  (Falcon Crest Winery Building; seasons 1 and 2 /
  The New San Francisco Globe – Hallway; # 057 /
  California State Hospital for the Crimially Insane; # 059 /
  KRDC; season 4):
   
  A still life was used in various places: During seasons 1 and 2, in the Falcon Crest Winery Building in the hallway outside Julia's enology lab (best visible in # 004 <1.04> for the first time); it later resurfaced in a hallway of the New Globe (# 057 <3.17>) and in the California Hospital for the Criminally Insane (# 059 <3.19>) as well as in the hallway to Richard's KRDC office during season 4 (first visible in # 082 <4.14>). Details are listed in the respective episodes in our Behind the Scenes section.
   
  

  This prop was also used by LORIMAR in season 2 of "Knots Landing". It was hanging in Abby Cunningham's living room at 16969 Seaview Circle; the screen grab is an example from "China Dolls" (# 052 <3.21>; original U.S. airdate: 04/29/1982, CBS).

  This screen grab is an example from "Living Dangerously" (# 053 <3.22>; original U.S. airdate: 05/06/1982, CBS) when it was hanging in a hotel suite.

  Later, it was on the wall in Detective Janet Baines' police office in "Marital Privilege" (# 079 <5.04>; original U.S. airdate: 10/20/1983, CBS).

 
 

• "Still Life, Taj Hotel, Bombay" by DAVID HOCKNEY
  (Queen of the Valley Hospital; # 142):
   
  

  An art print of this famous drawing was hanging in the hallway to Dr. Weather's office at the QVH; details are listed in # 142 <6.15> of our Behind the Scenes section.

  LORIMAR later used the same art print in even the very same frame in season 13 of "Knots Landing" in Karen MacKenzie's dressing room at the KBLA TV station; the screen capture is from "I, Claudia" (# 307 <13.07>; original U.S. airdate: 10/03/1991, CBS).

 
 

• Sutro Baths
  (The New San Francisco Globe – Anteroom to the Executive Office;
  seasons 2 through 6):
   
  

  During seasons 2 through 6, a reproduction of a historic lithographic print of the Sutro Baths in San Francisco was hanging in the anteroom to the New Globe executive office; details are listed in # 020 <2.02> of our Behind the Scenes section.

   
  LORIMAR had previously used the same picture in a different frame to decorate Cliff Barnes' office at Wentworth Tool and Die in season 4 (original count) / 5 (DVD count) of "Dallas". The screen grab is an example from "Acceptance" (# 102 <4.25 – original count> / <5.25 – DVD count>; original U.S. airdate: 04/02/1982, CBS).
  
 
 

• "Two Sisters" by PIERRE-AUGUSTE RENOIR
  (Falcon Crest Victorian Mansion Dining Room;
  seasons 2 through 5):
   
  

  During seasons 2 through 5, this famous painting was hanging in the Falcon Crest Victorian Mansion dining room; details are listed in # 022 <2.04> of our Behind the Scenes section.

   
  LORIMAR later used the same picture in even the very same frame for two purposes:
  They decorated the living room in Amanda Michael's house in season 11 of "Knots Landing" with it; the screen grab is an example from the episode entitled "Twice Victim" (# 258 <11.11>; original U.S. airdate: 12/14/1989, CBS).
  

  Later in this season, they used it in the hotel suite where the rehearsal dinner for Paige Matheson and Tom Ryan's wedding was held in "Let's Get Married" (# 276 <11.29>; original U.S. airdate: 05/17/1990, CBS).

The chairs at the Del Oro from seasons 8 and 9 (some with, some without armrests) were upholstered with a fabric matching the wall décor in the interior set of the Spa Restaurant.

• "Dallas":
   
  They resurfaced later on "Dallas" in the episode entitled "Lock, Stock and Jock" (# 344 <13.10 – original count> / 14.10 ; original U.S. airdate: 01/11/1991, CBS) at the Les Saisons restaurant. For this scene, these LORIMAR owned chairs — at that time already "inherited" by WARNER BROS. — were placed among other props in the foyer of the former Producers Building at LORIMAR STUDIOS (previously MGM STUDIOS; now Jimmy Stewart Building at SONY PICTURES STUDIOS) in Culver City, CA.
   
   
  
• "Knots Landing":
   
  

  Although hard to recognize, two of these chairs were later used on "Knots Landing" to furnish the marina restaurant where Frank Williams and Charlotte Anderson went on their first date in "Always on Your Side" (# 292 <12.16>; original U.S. airdate: 02/07/1991, CBS).

The white circular shelf unit in Richard's bedroom in his residence on Hilltop Road was reused on other LORIMAR shows as well.

• "Knots Landing":
   
  

  Shortly after filming "Falcon Crest", it resurfaced in season 6 of "Knots Landing" at a restaurant; the screen capture is from "One Day in a Row" (# 128 <6.28>; original U.S. airdate: 05/09/1985, CBS).

   
   
  
• "Dallas":
   
  

  Later, LORIMAR used it towards the end of season 10 (original count) / 11 (DVD count) of "Dallas" in J.R. Ewing's condo. The screen grab is a comparison shot from "Last of the Good Guys" (# 277 <10.26 – original count> / <11.26 – DVD count>; original U.S. airdate: 04/08/1988, CBS).

• "Knots Landing":
   
  In seasons 8 and 9 of LORIMAR's "Knots Landing", the cabinets were used to dress the set of Greg Sumner's ranch — both of them in the living room to either side of the archway; one of them was also used in the ranch's master bedroom (it had to be taken from one interior set to the other by the craft department as needed). The "Knots Landing" screen capture is just an example from "Noises Everywhere — Part II" (# 201 <9.11>; original U.S. airdate: 12/10/1987, CBS).
  
 
 

• "A Walton Wedding":
   
  

  In the fifth reunion movie of "The Waltons" entitled "A Walton Wedding" (original U.S. airdate: 02/12/1995, CBS), the cabinets were used in the living room of Janet's aunt Flo's residence.

 
 

• "ER":
   
  In "Ground Zero" of "ER" (# 075 <4.06>; original U.S. airdate: 11/06/1997, NBC), the cabinets were used near the bar in Millicent Carter's mansion.
  Note that the same episode of the medical drama also used Angela's desk (see above).
  
 
 

• "Gilmore Girls":
   
  The same props later resurfaced on "Gilmore Girls" in the foyer of Emily and Richard Gilmore's mansion throughout the whole series. The "Gilmore Girls" screen grab is just an example taken from "Eight o'Clock at the Oasis" (# 048 <3.05>; original U.S. airdate: 10/22/2002, The WB).
  

After "Falcon Crest", LORIMAR used one of these side tables in seasons 12 through 14 of "Knots Landing" to furnish the living room in Claudia Whittaker's home at 16969 Seaview Circle; the screen grab is from "In the Dog House" (# 293 <12.17>; original U.S. airdate: 02/14/1991, CBS).

Angie's tea service between # 001 and 006 was some distinct porcelain in burgundy and red ground colors with gold border. It was replaced by a LORIMAR owned prop in # 007.

The 14th century Ming vase Chao-Li drops in # 149 (which was placed in the Falcon Crest Victorian Mansion living room just for that purpose specifically in that episode) was a cheap porcelain vase from LORIMAR's prop department.

LORIMAR used this vase a few months prior in season 8 of "Knots Landing" in Sylvia Lean's apartment; the screen capture is from "Brothers and Mothers" (# 169 <8.09>; original U.S. airdate: 11/06/1986, CBS).

This prop was used in season 8 of "ER" in "The Longer You Stay" (# 159 <8.02>; original U.S. airdate: 10/04/2001, NBC) in the interior set of St. Rafe's Hospital.

At the Turf Club of the Tuscany Downs race track, there were a good number of dark green velvet wing chairs; screen capture 1 is an example from # 095.

LORIMAR later reused two of these armchairs to furnish the fashion store on "Knots Landing" where Charlotte Anderson bought her new outfit in "Always on Your Side" (# 292 <12.16>; original U.S. airdate: 02/07/1991, CBS).